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Best of 2017


A Year in My Ears



1. AFIBlood

The year started off on a high note with a release from my all-time favourite band. While at first suffering from the usual anxiety that they wouldn’t live up to their legacy, it wasn’t long lasting. I should know by now that this band doesn’t write songs that are immediately catchy, but ultimately forgettable. Those who were fans of their earlier punk years will be happy to hear some of their former angst returning, in addition to their signature layered sound.

Check Out: Still a Stranger, The Wind That Carries Me Away, So Beneath You


2. Dreamcar – Dreamcar

It’s natural to be a little weirded out by the idea of an AFI-No Doubt mash up, after all—what is that supposed to sound like? As it turns out; a dark and flamboyant 80s dance pop album with high caliber of composition and production. Largely comprised of the flagrance Davey Havok has been trying to suppress for the last 12 years, it showcases his ever-expanding vocal range, and is bound to win over the purest of AFI fans.

Check Out: Kill for Candy, All of the Dead Girls, Born To Lie


3. Whitney RoseRule 62 & South Texas Suite

If you told me that I’d end up falling in love this year, I probably wouldn’t have believed it. Especially if the object of my affection were to be a female country singer, but here we have it. After stealing my heart at the Horseshoe in February, I was prompted to seek out her entire discography. Oddly enough, 2017 brought about her LP South Texas Suite, as well as the EP Rule 62 – both of which have been on heavy rotation, along with her previous release Heartbreaker of the Year. A little bit Nancy Sinatra, a little bit motown, and a whole lot of vintage country, she’s a master storyteller without relying too heavily on dead dogs, cheatin’ hearts, and trucks. But don’t mistake her for just a sweet-voiced angel either, she’s known to blow the roof off with her timely cover of You Don’t Own Me.

Check Out: Arizona, My Boots, Lasso


4. Mobina GaloreFeeling Disconnected Cities Away

One thing you really need to know about me is that I love girl punk bands. Particularly ones that have multiple singers and vocal styles. This Winnipeg two-piece caught my ear long ago, but it wasn’t until I came across their sticker on a hand dryer in a decrepit venue washroom early this year that I looked them up in earnest. A perfect combination of call-and-answer screaming and singing, they evoke visions of a young Brody Dalle, and angsty late 90s punk. In fact, they cram so much awesomeness into each track, it’s hard to believe that they’re just a guitar/drum duo.

Check Out: Start All Over, SufferYou’re Not 23 Anymore, Restless Nights


5. Matt MaysOnce Upon a Hell of a Time

This album came out in October, and I think I may have had it in my ears 75% of my waking life since then. While Matt has been releasing albums for well over a decade, it’s been his last couple of efforts that have really tickled my fancy. Relying heavily on a sense of romance and nostalgia, the passion he pours into each and every track is palpable. Put this one on, go for a long road trip and think about all the ones that got away.

Check Out: Howl at the Night, NYC Girls, Sentimental Sins


6. Like a Motorcycle – High Hopes

Oh hey, it’s another chick punk album! This one is literally an 11th hour—err—12th month addition to the list, thanks to a friend’s apt recommendation, and a perfectly timed tour with my friends Dearly Beloved. Boasting three female vocalists (one being the drummer, goddamn), this album is the musical version of a Sweet & Salty bar. With an unrelenting pedal-to-the-metal pace from start to finish, you might say they are…like a motorcycle. (Sorry).

Check Out: Hands, Dead Finger, Nobody Knows


7. Les Deuxluxes – Springtime Devil

You may have noticed that I’m a big fan of supporting small, Canadian bands. Luckily for me, I’m exposed to loads of them every year through my work with every music festival ever. My top discovery this year at CMW was this Quebecois two-piece. Mixing desert rock, 50s pop, and rockabilly, they have that spacious lo-fi sound particular to early-days White Stripes.

Check Out: Diable du Printemps, So Long, Farewell,  My Babe & Me


8. Foo FightersSonic Highways

Foos may have released Concrete and Gold in September (which is good, and takes the band in an interesting new direction), but I spent the greater part of the year getting to know Sonic Highways a little better. Once deemed as just a generic radio rock band, I’ve been really feeling the extra flare they’ve put into their productions since 2011’s Wasting Light. Someone must have told Dave Grohl that I’m a fan of the heartstring-plucking guitar lines, and piles of vocal harmonies, because this album is full of them.

Check Out: Congregation, What Did I Do?/God As My Witness


9. John CarpenterAnthology: Movie Themes 1974-1998

John Carpenter may be the father of horror, but the casual fan may not know that he is also one of the best soundtrack composers out there. Off the heels of his original albums, Lost Themes I and II from 2015-2016, he’s now released an anthology of his most notable movie hits. Not to mention, getting to see him performing these pieces live to film clips, with his cool-Dad stage persona only made this album more special.

Check Out: In the Mouth of Madness, Porkchop Express (Big Trouble in Little China), The Fog


10. Tears for Fears – Tears Roll Down (Greatest Hits ’82-92)

Every year, I seem to file one band under “oh, they’re responsible for all those songs” category. In 2017, Tears for Fears was it. A soundtrack to my childhood, their signature melancholy pop sound perfectly encompasses the feeling of the 80s. Give this album a listen, you’ll know way more tracks than you thought you would.

Check Out: Head Over Heels, Everybody Wants To Rule The World, Shout


Best of 2015

Top Album Discoveries

of 2015


We’ve come to that time of year when everyone and their Dad puts together a list of their favourite albums, songs, and shows. Since I dive into the archives just as much as I follow the trends, I’ve taken a different approach to my Top Ten. My favourite discoveries from the year not only includes albums from several different decades, but also a few EPs and greatest hits compilations. Hey, it’s my blog, I make the rules.

Ghost Meliora Cover1. GhostMeliora

Despite what I just said, this album actually did come out in 2015, and is undoubtedly one of the best. The third album from this Swedish metal band enshrouded in mystery (the general public still doesn’t know who they actually are) measures up to both of their previous efforts. The “new” Papa Emeritus shows off an increasingly impressive vocal range, and songwriting that somehow still evades the satanic-band pigeonhole.

Check Out: From the Pinnacle to the Pit, Cirice

John Carpenter Lost Themes Cover2. John CarpenterLost Themes

Another release from 2015, this album is a must-listen for any fans of horror (yeah, it’s that John Carpenter). While he has scored films in the past, this is his first stand-alone album. Synth-heavy, he has not let go of his penchant for that good ol’ *bizoooouu* sound, and that is absolutely a good thing. To put it simply, this is a soundtrack just waiting for an accompanying 80s slasher.

Check Out: Vortex, Domain

Alvvays Album Cover3. AlvvaysAlvvays

This album grew on me steadily, while the band ended up at every event I worked on in 2015 (seriously). Short listed for the Polaris Music Prize this year, it was my choice for the top honours (but ended up going to Buffy Sainte Marie). Comprised of dreamy shoegaze, and slow, haunting melodies these songs don’t initially seem like earworm material—that is until you find yourself singing “marry me, oh Archie” for days on end.

Check Out: Archie, Marry Me, Next of Kin

Standstills From the Devils Porch Cover4. The StandstillsFrom the Devil’s Porch

This is a band I’ve been following since I serendipidously walked into their NXNE set at Cherry Cola’s a few years ago. Having thoroughly enjoyed their 2012 album Pushing Electric, I purchased this EP on a whim as 2015 came to a close, and have been eagerly aquainting myself with it. Doling out grungy, pulsating, power rock, this two-piece knows who they are and what they do best. Expect to see them around more and more in the near future.

Check Out: Orleans

Lights Little Machines Cover5. LightsLittle Machines

Released in late 2014 to a surprising amount of critical acclaim, it took me way too long to pick up this album, considering that I’ve been a (somewhat closeted) Lights fan for years. Now a wife and mother, the songwriting has matured to the expected degree, all while retaining her signature pairing of sugar-sweet vocals with with themes of depression, love, and loneliness.

Check Out: Muscle Memory, Running With the Boys

Independents Do It Again Cover6. The IndependentsDo It Again

Since their appearance at Rue Morgue’s Festival of Fear in 2014, the Independents have become both friends, and a favourite band of mine. Having picked up the newer end of their catalogue at the Con, I had to wait until they returned to Toronto in February of this year in order to get the rest since they’re a little too, uh, independent, to be found in local record shops. Just like their seminal albums Back from the Grave, and Eternal Bond, Do It Again is a criminally underrated, short and snappy horror-punk/ska album. Highly recommended if you’re a fan of the Ramones, Elvis, or the Misfits.

Check Out: Black Dream, Free

Nim Vind Stillness Illness Cover7. Nim VindStillness Illness

File this one under “how have I not heard about them until now?” I fell face-first into this Canadian band’s entire horror-infused catalogue this past year, with a particular penchant for 2009’s The Stillness Illness. Difficult to describe, their sound is somewhere between the darkness of the Misfits, the vintage hard-rockabilly sound of Volbeat and the romance of H.I.M.

Check Out: Suicide Pact, Killing Saturday Night

Ramones Pleasant Dreams Cover8. RamonesRoad to Ruin & Pleasant Dreams

Confession time: I was big into 1970s punk in my high school years. As in many genres, music snobs tend to pit certain bands against each other, and I chose the Sex Pistols over their contemporaries in the Ramones, and the Clash. And though I had a Ramones anthology and knew all their popular tunes, I kinda wrote them off as a three-chord, hockey-arena-anthem punk band. That is, until this year when a few of my friends—appalled at my oversight—showed me the error of my ways. The result is a continuously growing love affair with their extended catalogue, in particular the hopeless romanticisim and 50s pop sounds on Road to Ruin and Pleasant Dreams.

Check Out: Needles and Pins, Don’t Go

Jay Smith Album Cover9. Jay SmithJay Smith

As a Matt Mays fan, I already knew about the unfortunate passing of his guitarist Jay Smith while on tour in 2013. But it wasn’t until a recent trip to Halifax that I actually heard—and was struck by— his solo work. A poignant, and catchy album with lots of swoon-worthy steel guitar, it boasts a certain Maritime-ness, and kinship to Mays’ sound. Pop this one in on your next long-distance drive.

Check Out: Hurts Like Hell, Partner in Crime

Platinum Blonde Seven Year Itch Cover10. Platinum BlondeSeven Year Itch (1982-1989)

Guitly pleasure alert! I went from not being able to name any Platinum Blonde songs, to realizing that I knew all their hits, thanks to a little trip down the Youtube rabbit hole. Turns out that a lot of the stuff I’d heard growing up (and in my office where we unabashedly rock out to retro radio tunes) was not actually by Duran Duran, or the Cure, or any other popular international acts. Though some of that confusion can be attributed to Robert Smith providing vocals on the Crystal Castles’ remix of Not in Love. Do some listening, I guarantee you’ll be surprised too.

Check Out: It Doesn’t Really Matter, Crying Over You

Dearly Beloved 7 Inch CoverBonus: Dearly BelovedWho Wants to Know/Resolution 7″

At a mere two songs, I didn’t think it was quite fair to let this release occupy an entire spot on my top ten list. But though it is a small offering, it’s not easily ignored. A sort of place holder for fans while the band bounces between endless tours and writing cycles, the 7 inch contains Who Wants to Know, and Resolution. Toying with a new venture into classic rock, both songs are drenched in the desert vibe that has come with their last couple of albums, and hints at future sounds.

Check Out: Who Wants to Know