It’ll Burrow, It’ll Shake You Down
Most of us are guilty of yearning for the rockstar life at one point or another. But what does it mean to make music your life? We tend to ignore what being saddled with artistic drive is actually like, to use creative output as a salve for inner turmoil. Toronto’s Dearly Beloved know this existence well; forever putting pens to paper and mouths to mics, trying to reach some indeterminate place of peace. Having found inspiration in the desert during the production of 2012’s Hawk vs Pigeon, the band returned to Dave Catching’s Rancho de la Luna in Joshua Tree, California to see if lightning would strike twice. It did—resulting in the release their fifth album, Enduro.
At first blush, the title hints at the notion of enduring, something with which frontman Rob Higgins is familiar. Having formed the band as a way to deal with the death of his father, and his own medical tribulations, Higgins’ music reflects a “one foot in front of the other” approach to life crises and daily melancholies. A dreamer, he harbours a passion for escape—a desire to flee to places unknown with little else than a motorcycle. (Enduro also happens to be brand of motorbike). Needless to say, his band is one that lives for life on tour.
True to both interpretations of its name, Enduro is emotional and adrenaline-fueled. A brain-scrambling, teeth-chattering, bone-shaking off-road trip, it leaves the heart thumping and lungs begging for air. The album takes off like a shot, accelerating wildly through the opener ‘Enduro’, turning into a veritable freight train on ‘Olympics of No Regard‘, and mimicking the whine of a motorbike engine on ‘Seven Plagues’. Finally—eight tracks in—we’re given a chance to slow down and catch our breath on ‘All Sins Are Forgiven’. Appropriately, each song was road-tested, played loud while speeding over sandy plains. If it didn’t feel right in that environment, it didn’t make the cut.
What’s most striking about this album is its unapologetic sense of being made by a band that knows who they are and what they do well. Age, and a few trips around the proverbial block have left them without the wannabe rockstar air that plagues so many newer bands. Higgins and co-vocalist Niva Chow helm the project, which features a revolving door of drummers and guitarists. This isn’t so much indicative of the ol’ “creative differences” plea, than it is of Dearly Beloved being a collaborative of talented friends—some of which happen to be Canadian music heavyweights. Brendan Canning returns on this album to contribute his guitar talent on ‘Between Finger and Thumb’, while the “godfather of desert rock” Chris Goss tears it up on ‘Enduro‘, and punk rocker Eamon McGrath peppers his vocal, guitar, and writing skills throughout.
While many of the lyrics seem slightly pissed off, they are in equal parts evidence of healing. The repeated “do whatever it takes” (‘The Guile of Pricks’) and “you’re getting better every day, and you’re not out of your mind” (‘Enduro’) shine light at the end of the dark tunnel. A cunning wordsmith, Higgins has the genius capability of being simultaneously specific and vague. Songs that sound like they’re about a girl have an equal probability of being inspired by European history. He also somehow manages to sneak in highbrow words like ‘egregious’ without sounding like a total douche.
Rife with signature bass note roller coasters, guttural screams, and dreamy psychedelic guitars, Enduro expertly links Dearly Beloved’s past work with their current sound. Building on her growing vocal presence from album to album, Chow not only provides the ultra-femme melodies, but shouts and growls along with the boys, too, even finding herself in a fantasic vocal tug of war with both McGrath and Higgins on ‘Seven Plagues’.
After a mere 30 minutes, the road trip comes to a screeching halt. Breathless, invigorated, we’re left wanting more. Not due to dissatisfaction, but from being given a taste of life, freedom, and things to come.
Bands to See
Because I Said So
Wednesday, May 7
9pm: Mobina Galore @ Cherry Cola’s
11pm: Brody Dalle @ Horseshoe
11pm: Rehan Dalal @ Hideout
1am: The Standstills @ Bovine
Thursday, May 8
8pm: Seas @ Adelaide Hall
12am: Kashka @ Czehoski
1am: The Flatliners @ Sneaky Dee’s
Friday, May 9
8pm: Robyn Dell’Unto @ The Vault
9pm: Fade Chromatic @ Rancho Relaxo
10:15pm: Donovan Woods @ The Vault
12am: The Balconies @ Horseshoe
1:20am: Tupper Ware Remix Party @ Lee’s Palace
Saturday, May 10
4:40pm: King Gizzard and the Lizard Wizard @ Horseshoe
9pm: Mad June @ Bovine
10pm: Organ Thieves @ Lee’s Palace
11pm: Your Favourite Enemies @ Hard Rock Cafe
12am: Wildlife @ Adelaide Hall
12am: The ’92 Blue Jays @ Handlebar
Where is that venue? Find it here.
Sometimes life gets in the way of writing about a great album. Case in point—Wildlife’s …On the Heart. Since releasing this sophomore effort early in 2013, this Toronto band has reached a promising echelon of indie rock stardom; getting to perform in volcanoes and having their songs used in beer commercials. Haven’t heard them yet? You need to change that.
…On the Heart is hard to pinpoint; while marinated in glowing nostalgia, it also manages to be a present-day, youthful rallying cry. It’s the soundtrack to that night many of us have had—when you get into the car just to drive, to think, with nowhere in particular to go.
Staying true to the title, this is a collection of songs for lovers and the heartbroken alike. Contemplative and calculated, it’s an older, wiser version of the reckless teenager that their debut album, Strike Hard Young Diamond was. Hurt for the first time, they’re less eager to wear their heart on their sleeves, replacing blind emotion and angst with a reserved sense of experience. And with this new sense of maturity comes a more refined sound. The layers stripped away, intensity emanates from the brooding melodies, and silence between beats.
While Dwayne Christie’s signature palpitating drums, and the adrenaline-infused gang vocals make a return on this album in some respect; there is nothing formulaic here. Just when you think you know where a song is going, it breaks down, or builds into something wonderfully unexpected.
Refusing to settle into the familiar patterns of their previous work, Wildlife has made conscious and pointed moves in new directions on this effort. ‘One for the Body’ and ‘Dangerous Times’ toy with a blue-collar rock vibe, channeling Springsteen, and The Arkells. A few others teeter dangerously on the edge of becoming ballads. ‘Don’t Fear’ in particular, saves itself with one of lead man Dean Povinsky’s patented tear-your-heart-out vocal wind-ups.
‘Lightning Tent’ may unravel into repetitions of “I will always let you down”, but don’t let that lower your expectations for this album. Polished, smart, and powerful, …On the Heart is a pensive journey through loss and love, and a natural next step for Wildlife as a band.
Top 10 Albums
It’s that time again, when I ask myself “which CDs did I bother to buy this year?” You read that correctly—yes, I still buy CDs, and yes my best-of list is based on personal preference. No album is getting on here because everyone else thought it was cool. And seeing that several of my very favourite bands made a comeback in 2013, it wasn’t difficult to compile this top ten:
1. AFI– Burials
If you know anything about me, this one will be no surprise. AFI would have to release something pretty awful in order for me to leave it off my favourites list. But this album is nowhere close to awful. In fact it marks a return of the old, dark and angsty band that caught my attention over 10 years ago (albeit with hints of their more recent synth-pop style.)
2. Nine Inch Nails– Hesitation Marks
This is another default pick, of sorts. Though I was initially disappointed at how hard this album wasn’t, it has since grown on me. And that’s the main idea here—growth. You’d be pretty bored if Trent released Downward Spiral ten times over, no?
This is undoubtedly the most heartbreaking album of the year. A bit of a departure from their folk-rock roots, Heartthrob is super poppy, heavily 80s-inspired, and will remind you of every breakup, and lost chance you’ve ever had. Get out the tissues.
4. Volbeat– Outlaw Gentlemen and Shady Ladies
I stumbled up this Danish band at the beginning of the year, and quickly fell in love. A peculiar hybrid of metal, rockabilly, and country, they’ve been compared to everyone from Metallica to Johnny Cash. While I’m not going to say this is the best release of their stellar 5-album catalogue, it is a great standalone piece, and a good introduction to their discography.
5. Ghost B.C.– Infestissumam
Another excellent discovery this year, Ghost—or Ghost B.C. as they’ve been forcibly named— is a Swedish metal side project. The catch is, no one knows whose side project it is. Following up on their incredible 2010 debut album, these Nameless Ghouls have released a piece that is way too good to be a sophomore effort.
6. Wildlife– On the Heart
The success Wildlife has been receiving with this album has been so great to see, considering how earthshaking (yet, almost unnoticed) their last effort was. A slower, somewhat mellower follow up to Strike Hard, Young Diamond, they show both maturation and musical growth on this release.
7. The Creepshow– Life After Death
The Creepshow changed singers (again), added an additional guitarist, and slightly altered their sound between album releases. The aptly titled, Life After Death may lean more towards punk than the horrorbilly/psychobilly the band is known for, but still boasts some standout tracks. Not to mention, it’s pretty tight for essentially being the debut release for this now-fivesome.
Check Out: Born to Lose, Take it Away
8. The Beaches– The Beaches EP
Want to feel like you’ve wasted your life? Check out this debut effort from a bunch of Torontonian high schoolers. Brash, catchy, sexy, and smart, these girls prove they’re already way cooler than you will ever be.
9. Queens of the Stone Age– Like Clockwork
I won’t lie, I wasn’t super enthused about this album at first. Slower and mellower, it seemed a lot less exciting than QOTSA’s previous efforts. Take a few listens, the multiple gems will begin to unearth themselves.
10. Cvrches– The Bones of What You Believe
Chvrches have achieved the seemingly impossible—putting out a chipper electro-pop album that doesn’t get tiresome halfway through. Seeming to take a page out of the Naked and Famous’ book, they keep things fresh by combining male and female vocals, and alternating between slow and upbeat tracks.
It’s that again! When “music people” such as myself wrack their brains to try and predict the Polaris Music Prize Short List. This year was difficult, as there weren’t as many standout albums for me on the Long List as in previous years. But here are a few that caught my ear:
A Tribe Called Red– Nation II Nation
Alaclair Ensemble – Les maigres blancs d’Amérique du Noir
The Besnard Lakes – Until In Excess, Imperceptible UFO
Hannah Georgas – Hannah Georgas
Jim Guthrie – Takes Time
Kid Koala – 12 bit Blues
Danny Michel with the Garifuna Collective – Black Birds Are Dancing Over Me
AC Newman – Shut Down The Streets
Suuns – Images du futur
Tegan and Sara – Heartthrob
Find out on July 16th how horribly off I am!