CMW 2016

CMW

 

We’ve reached that time of year when everyone and their dad decides to put on a music festival, each one boasting a list of about a million live bands. Always one for a challenge, I listened to (almost) every band on the 2016 CMW roster to root out which ones are worth your time, and money. (Note: if I had to go on a wild goose chase throughout the internet just to hear one of your band’s songs, you probably didn’t make the cut). Don’t let my ear fatigue be all for naught—grab a wristband and check out some of these shows!

 

Monday, May 2nd
8pm: Machines Geantes @ Central
9pm: Rozes @ Drake Underground
9pm: Secret Broadcast @ Supermarket
11pm: Blanche et Noir @ Supermarket

 

Tuesday, May 3rd
8pm: Bad Willow @ Drake Underground
8pm: Annie Sumi @ C’est What
9pm: Adam Hanney & Co @ Cameron House
9pm: Menage @ Central
9pm: Fake Palms @ Horseshoe
9pm: Edith Crash @ Paddock
10pm: Laura Stevenson @ Drake Underground
10pm: Lights @ Danforth Music Hall
10pm: Meltybrains? @ Handlebar
12am: Bear Culture @ Bovine

 

Wednesday, May 4th
7pm: Alberta Cross @ Phoenix
8pm: Brutus Begins @ Central
8pm: SATE @ Lee’s Palace
8pm: Pins & Needles @ Silver Dollar
9pm: Fake Palms @ Horseshoe
9:10pm: The Strumbellas @ Phoenix
9pm: Maybe May @ Hideout
9pm: Mardeen @ Garrison
9pm: Pale Lips @ Silver Dollar
10pm: Lights @ Danforth Music Hall
10pm: Bend Sinister @ Comfort Zone
10pm: Surf Dads @ Smiling Buddha
10pm: Pony @ Silver Dollar
10pm: Meltybrains? @ Handlebar
10:30pm: LGS @ Nightowl
11pm: Darts @ Bovine
11pm: Dead Broke @ Comfort Zone
11pm: Kid Cadaver @ Painted Lady
11pm: Fangclub @ Hideout
11pm: Partner @ Silver Dollar
12am: Eyeballs @ Silver Dollar
12am: The Standstills @ Lee’s Palace
12am: Acid Priest @ Hard Luck
1am: The Dead Projectionists @ Lee’s Palace
1am: Bear Culture @ Hard Luck

 

Thursday, May 5th
5pm: Entire Cities @ Silver Dollar
7:30pm: Ascot Royals @ Phoenix
8pm: Holly Macve @ Drake Underground
8:30pm: Bagels @ Rivoli
9pm: Little You, Little Me @ Horseshoe
9pm: River Groves @ Bovine
9pm: Sweet & Lowdown @ Sneaky Dee’s
9pm: Edith Crash @ Supermarket
9pm: APigeon @ Central
9pm: Surf Dads @ Handlebar
9:15pm: Collective Soul @ Phoenix
10pm: Wildlife @ Lee’s Palace
10pm: Fake Tears @ Central
10pm: LOLAA @ Silver Dollar
10pm: Mise en Scene @ Velvet Underground
11pm: Brass Bed @ Piston
11pm: Foxtrott @ Lee’s Palace
11pm: The Balconies @ Great Hall
11pm: Goodwood Atoms @ Central
11pm: Meltybrains? @ Nightowl
11pm: Modern Space @ Garrison
11pm: No Joy @ Velvet Underground
11:30pm: Fangclub @ Rivoli
12am: Darts @ Great Hall
12am: Bagels @ Smiling Buddha
12am: Hillsburn @ Piston
12am: Partner @ Silver Dollar
12am: Sulfur City @ Cadillac
12am: Matt Epp @ Cameron House
1am: Flat Foot @ Cadillac
1am: The Dead Projectionists @ Dakota Tavern
1am: Goodnight, Sunrise @ 300 Club
2am: Grimskunk @ Bovine
2am: Annie Sumi @ Cherry Cola’s

 

Friday, May 6th
10pm: Surf Dads @ Hideout
10pm: Hannah Georgas @ Horseshoe
10pm: PINE @ Handlebar
10pm: Acid Dad @ Hard Luck
10pm: Champion Lover @ Smiling Buddha
10pm: Death Valley Girls @ Phoenix
10pm: New Swears @ Adelaide
10pm: Ho99o9 @ Comfort Zone
10pm: Return for Refund @ Cherry Cola’s
10pm: KJ Jansen from Chixdiggit @ Bovine
10pm: Les Deuxluxes @ Great Hall
11pm: Bike Thiefs @ Handlebar
11pm: White Lung @ Velvet Underground
11pm: No Sinner @ Garrison
11pm: Sara Hartman @ Drake Underground
11pm: Lisa LeBlanc @ Great Hall
11pm: Little Junior @ Silver Dollar
12am: Double Date With Death @ Smiling Buddha
12am: Jeff the Brotherhood @ Horseshoe
12am: The Beaches @ Bovine
12am: Partner @ Silver Dollar
12am: The Lazys (acoustic set) @ Cameron House
1am: Beat Cops @ Bovine
1am: Radio Radio @ Great Hall
1am: Flat Foot @ Boots & Bourbon
1am: Ginger Ale & the Monowhales @ Silver Dollar
2am: Bend Sinister @ Painted Lady
2am: Les Deuxluxes @ Garrison
2:10am: Diarrhea Planet @ Horseshoe

 

Saturday, May 7th
3pm: Darts @ Garrison
12pm: Taylor Knox @ Night Owl
7pm: Olivia and the Creepy Crawlies @ Cameron House
8pm: Xprime @ Hideout
8pm: Brass Bed @ Cameron House
8pm: Sumo Cyco @ Supermarket
9pm: Dearly Beloved, Beaches, and Eagles of Death Metal @ Opera House
9pm: No Stories @ Cherry Cola’s
9pm: Darts @ Smiling Buddha
9pm: Rococode @ Drake Underground
9pm: Royal Wood @ Danforth Music Hall
10pm: Caveboy @ Silver Dollar
10pm: Goodbye Honolulu @ Smiling Buddha
10pm: Mardeen @ Rivoli
10pm: Xprime @ Supermarket
11pm: Death Valley Girls @ Hard Luck
11pm: Modern Space @ Horseshoe
11pm: The Dying Arts @ Bovine
11pm: Acid Priest @ Smiling Buddha
11:30pm: Natalie Lynn @ Rivoli
12am: Dilly Dally @ Lee’s Palace
12am: Meat Wave @ Bovine
12am: Braden Folks and the Pushers @ Cadillac
12am: Muuy Biien @ Smiling Buddha
1am: Ho99o9 @ Adelaide Hall
1am: Hormoans @ Smiling Buddha
1am: Mise en Scene @ Hardluck
1am: She Devils @ Silver Dollar
1am: Sumo Cyco @ Cherry Cola’s
2am: New Swears @ Sneaky Dee’s
2am: Bagels @ Garrison
3am: Surf Dads @ Sneaky Dee’s

 

Sunday, May 8th
10am: La Sera @ Garrison
2pm: Mandippal @ The Vault
11pm: Taylor Knox @ Burdock
12am: Sedge @ Horseshoe

Best of 2015

Top Album Discoveries

of 2015

 

We’ve come to that time of year when everyone and their Dad puts together a list of their favourite albums, songs, and shows. Since I dive into the archives just as much as I follow the trends, I’ve taken a different approach to my Top Ten. My favourite discoveries from the year not only includes albums from several different decades, but also a few EPs and greatest hits compilations. Hey, it’s my blog, I make the rules.
 

Ghost Meliora Cover1. GhostMeliora

Despite what I just said, this album actually did come out in 2015, and is undoubtedly one of the best. The third album from this Swedish metal band enshrouded in mystery (the general public still doesn’t know who they actually are) measures up to both of their previous efforts. The “new” Papa Emeritus shows off an increasingly impressive vocal range, and songwriting that somehow still evades the satanic-band pigeonhole.

Check Out: From the Pinnacle to the Pit, Cirice
 

John Carpenter Lost Themes Cover2. John CarpenterLost Themes

Another release from 2015, this album is a must-listen for any fans of horror (yeah, it’s that John Carpenter). While he has scored films in the past, this is his first stand-alone album. Synth-heavy, he has not let go of his penchant for that good ol’ *bizoooouu* sound, and that is absolutely a good thing. To put it simply, this is a soundtrack just waiting for an accompanying 80s slasher.

Check Out: Vortex, Domain
 

Alvvays Album Cover3. AlvvaysAlvvays

This album grew on me steadily, while the band ended up at every event I worked on in 2015 (seriously). Short listed for the Polaris Music Prize this year, it was my choice for the top honours (but ended up going to Buffy Sainte Marie). Comprised of dreamy shoegaze, and slow, haunting melodies these songs don’t initially seem like earworm material—that is until you find yourself singing “marry me, oh Archie” for days on end.

Check Out: Archie, Marry Me, Next of Kin
 

Standstills From the Devils Porch Cover4. The StandstillsFrom the Devil’s Porch

This is a band I’ve been following since I serendipidously walked into their NXNE set at Cherry Cola’s a few years ago. Having thoroughly enjoyed their 2012 album Pushing Electric, I purchased this EP on a whim as 2015 came to a close, and have been eagerly aquainting myself with it. Doling out grungy, pulsating, power rock, this two-piece knows who they are and what they do best. Expect to see them around more and more in the near future.

Check Out: Orleans
 

Lights Little Machines Cover5. LightsLittle Machines

Released in late 2014 to a surprising amount of critical acclaim, it took me way too long to pick up this album, considering that I’ve been a (somewhat closeted) Lights fan for years. Now a wife and mother, the songwriting has matured to the expected degree, all while retaining her signature pairing of sugar-sweet vocals with with themes of depression, love, and loneliness.

Check Out: Muscle Memory, Running With the Boys
 

Independents Do It Again Cover6. The IndependentsDo It Again

Since their appearance at Rue Morgue’s Festival of Fear in 2014, the Independents have become both friends, and a favourite band of mine. Having picked up the newer end of their catalogue at the Con, I had to wait until they returned to Toronto in February of this year in order to get the rest since they’re a little too, uh, independent, to be found in local record shops. Just like their seminal albums Back from the Grave, and Eternal Bond, Do It Again is a criminally underrated, short and snappy horror-punk/ska album. Highly recommended if you’re a fan of the Ramones, Elvis, or the Misfits.

Check Out: Black Dream, Free
 

Nim Vind Stillness Illness Cover7. Nim VindStillness Illness

File this one under “how have I not heard about them until now?” I fell face-first into this Canadian band’s entire horror-infused catalogue this past year, with a particular penchant for 2009’s The Stillness Illness. Difficult to describe, their sound is somewhere between the darkness of the Misfits, the vintage hard-rockabilly sound of Volbeat and the romance of H.I.M.

Check Out: Suicide Pact, Killing Saturday Night
 

Ramones Pleasant Dreams Cover8. RamonesRoad to Ruin & Pleasant Dreams

Confession time: I was big into 1970s punk in my high school years. As in many genres, music snobs tend to pit certain bands against each other, and I chose the Sex Pistols over their contemporaries in the Ramones, and the Clash. And though I had a Ramones anthology and knew all their popular tunes, I kinda wrote them off as a three-chord, hockey-arena-anthem punk band. That is, until this year when a few of my friends—appalled at my oversight—showed me the error of my ways. The result is a continuously growing love affair with their extended catalogue, in particular the hopeless romanticisim and 50s pop sounds on Road to Ruin and Pleasant Dreams.

Check Out: Needles and Pins, Don’t Go
 

Jay Smith Album Cover9. Jay SmithJay Smith

As a Matt Mays fan, I already knew about the unfortunate passing of his guitarist Jay Smith while on tour in 2013. But it wasn’t until a recent trip to Halifax that I actually heard—and was struck by— his solo work. A poignant, and catchy album with lots of swoon-worthy steel guitar, it boasts a certain Maritime-ness, and kinship to Mays’ sound. Pop this one in on your next long-distance drive.

Check Out: Hurts Like Hell, Partner in Crime
 

Platinum Blonde Seven Year Itch Cover10. Platinum BlondeSeven Year Itch (1982-1989)

Guitly pleasure alert! I went from not being able to name any Platinum Blonde songs, to realizing that I knew all their hits, thanks to a little trip down the Youtube rabbit hole. Turns out that a lot of the stuff I’d heard growing up (and in my office where we unabashedly rock out to retro radio tunes) was not actually by Duran Duran, or the Cure, or any other popular international acts. Though some of that confusion can be attributed to Robert Smith providing vocals on the Crystal Castles’ remix of Not in Love. Do some listening, I guarantee you’ll be surprised too.

Check Out: It Doesn’t Really Matter, Crying Over You
 

Dearly Beloved 7 Inch CoverBonus: Dearly BelovedWho Wants to Know/Resolution 7″

At a mere two songs, I didn’t think it was quite fair to let this release occupy an entire spot on my top ten list. But though it is a small offering, it’s not easily ignored. A sort of place holder for fans while the band bounces between endless tours and writing cycles, the 7 inch contains Who Wants to Know, and Resolution. Toying with a new venture into classic rock, both songs are drenched in the desert vibe that has come with their last couple of albums, and hints at future sounds.

Check Out: Who Wants to Know

 

Album Review: Dearly Beloved’s Enduro

Enduro

It’ll Burrow, It’ll Shake You Down

Dearly Beloved_Enduro

 

Most of us are guilty of yearning for the rockstar life at one point or another. But what does it mean to make music your life? We tend to ignore what being saddled with artistic drive is actually like, to use creative output as a salve for inner turmoil. Toronto’s Dearly Beloved know this existence well; forever putting pens to paper and mouths to mics, trying to reach some indeterminate place of peace. Having found inspiration in the desert during the production of 2012’s Hawk vs Pigeon, the band returned to Dave Catching’s Rancho de la Luna in Joshua Tree, California to see if lightning would strike twice. It did—resulting in the release their fifth album, Enduro.
 

At first blush, the title hints at the notion of enduring, something with which frontman Rob Higgins is familiar. Having formed the band as a way to deal with the death of his father, and his own medical tribulations, Higgins’ music reflects a “one foot in front of the other” approach to life crises and daily melancholies. A dreamer, he harbours a passion for escape—a desire to flee to places unknown with little else than a motorcycle. (Enduro also happens to be brand of motorbike). Needless to say, his band is one that lives for life on tour.
 

True to both interpretations of its name, Enduro is emotional and adrenaline-fueled. A brain-scrambling, teeth-chattering, bone-shaking off-road trip, it leaves the heart thumping and lungs begging for air. The album takes off like a shot, accelerating wildly through the opener ‘Enduro’, turning into a veritable freight train on ‘Olympics of No Regard‘, and mimicking the whine of a motorbike engine on ‘Seven Plagues’. Finally—eight tracks in—we’re given a chance to slow down and catch our breath on ‘All Sins Are Forgiven’. Appropriately, each song was road-tested, played loud while speeding over sandy plains. If it didn’t feel right in that environment, it didn’t make the cut.
 

What’s most striking about this album is its unapologetic sense of being made by a band that knows who they are and what they do well. Age, and a few trips around the proverbial block have left them without the wannabe rockstar air that plagues so many newer bands. Higgins and co-vocalist Niva Chow helm the project, which features a revolving door of drummers and guitarists. This isn’t so much indicative of the ol’ “creative differences” plea, than it is of Dearly Beloved being a collaborative of talented friends—some of which happen to be Canadian music heavyweights. Brendan Canning returns on this album to contribute his guitar talent on ‘Between Finger and Thumb’, while the “godfather of desert rock” Chris Goss tears it up on ‘Enduro‘, and punk rocker Eamon McGrath peppers his vocal, guitar, and writing skills throughout.
 

While many of the lyrics seem slightly pissed off, they are in equal parts evidence of healing. The repeated “do whatever it takes” (‘The Guile of Pricks’) and “you’re getting better every day, and you’re not out of your mind” (‘Enduro’) shine light at the end of the dark tunnel. A cunning wordsmith, Higgins has the genius capability of being simultaneously specific and vague. Songs that sound like they’re about a girl have an equal probability of being inspired by European history. He also somehow manages to sneak in highbrow words like ‘egregious’ without sounding like a total douche.
 

Rife with signature bass note roller coasters, guttural screams, and dreamy psychedelic guitars, Enduro expertly links Dearly Beloved’s past work with their current sound. Building on her growing vocal presence from album to album, Chow not only provides the ultra-femme melodies, but shouts and growls along with the boys, too, even finding herself in a fantasic vocal tug of war with both McGrath and Higgins on ‘Seven Plagues’.
 

After a mere 30 minutes, the road trip comes to a screeching halt. Breathless, invigorated, we’re left wanting more. Not due to dissatisfaction, but from being given a taste of life, freedom, and things to come.

 

CMW 2014

cmw-logo-2014

Bands to See

Because I Said So

 

 

Wednesday, May 7

9pm: Mobina Galore @ Cherry Cola’s

11pm: Brody Dalle @ Horseshoe

11pm: Rehan Dalal @ Hideout

1am: The Standstills @ Bovine

 

Thursday, May 8

8pm: Seas @ Adelaide Hall

12am: Kashka @ Czehoski

1am: The Flatliners @ Sneaky Dee’s

 

Friday, May 9

8pm: Robyn Dell’Unto @ The Vault

9pm: Fade Chromatic @ Rancho Relaxo

10:15pm: Donovan Woods @ The Vault

12am: The Balconies @ Horseshoe

1:20am: Tupper Ware Remix Party @ Lee’s Palace

 

Saturday, May 10

4:40pm: King Gizzard and the Lizard Wizard @ Horseshoe

9pm: Mad June @ Bovine

10pm: Organ Thieves @ Lee’s Palace

11pm: Your Favourite Enemies @ Hard Rock Cafe

12am: Wildlife @ Adelaide Hall

12am: The ’92 Blue Jays @ Handlebar

 

 

Where is that venue? Find it here.

 

 

 

 

 

Album Review: Wildlife’s On the Heart

Wildlife

Wildlife_On the Heart…On the Heart

 

Sometimes life gets in the way of writing about a great album. Case in point—Wildlife’s …On the Heart. Since releasing this sophomore effort early in 2013, this Toronto band has reached a promising echelon of indie rock stardom; getting to perform in volcanoes and having their songs used in beer commercials. Haven’t heard them yet? You need to change that.

…On the Heart is hard to pinpoint; while marinated in glowing nostalgia, it also manages to be a present-day, youthful rallying cry. It’s the soundtrack to that night many of us have had—when you get into the car just to drive, to think, with nowhere in particular to go.

Staying true to the title, this is a collection of songs for lovers and the heartbroken alike. Contemplative and calculated, it’s an older, wiser version of the reckless teenager that their debut album, Strike Hard Young Diamond was. Hurt for the first time, they’re less eager to wear their heart on their sleeves, replacing blind emotion and angst with a reserved sense of experience. And with this new sense of maturity comes a more refined sound. The layers stripped away, intensity emanates from the brooding melodies, and silence between beats.

While Dwayne Christie’s signature palpitating drums, and the adrenaline-infused gang vocals make a return on this album in some respect; there is nothing formulaic here. Just when you think you know where a song is going, it breaks down, or builds into something wonderfully unexpected.

Refusing to settle into the familiar patterns of their previous work, Wildlife has made conscious and pointed moves in new directions on this effort. ‘One for the Body’ and ‘Dangerous Times’ toy with a blue-collar rock vibe, channeling Springsteen, and The Arkells. A few others teeter dangerously on the edge of becoming ballads. ‘Don’t Fear’ in particular, saves itself with one of lead man Dean Povinsky’s patented tear-your-heart-out vocal wind-ups.

‘Lightning Tent’ may unravel into repetitions of “I will always let you down”, but don’t let that lower your expectations for this album. Polished, smart, and powerful, …On the Heart is a pensive journey through loss and love, and a natural next step for Wildlife as a band.

 

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